Leap Day Daze

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Bruce caricatureBruce The Blog
By Bruce Apar
When Bruce The Blog Listens, People Talk

Hoppy Leap Day

What does self-help guru Tony Robbins have in common with William Tell composer Giaocchino Rossini and Pope Paul III? They all were born on Feb. 29, the two-thousand-year-old calendar correction that pays us a visit once every four years and was the brainchild of one Julius Caesar.

Leap Day babies has its own category in The Guinness Book of World Records. One family in Great Britain has the distinction of three successive generations, spanning 56 years, being born on Feb. 29.

Speaking of long odds, none of us should expect to win the lottery, but it’s no leap to say that, this year, each of us wins one-quarter-of-one-percent more time, thanks to magical Day No. 366 (though sequentially it’s Day No. 60).

And what better gift than to have Leap Day fall on a Monday! Who wouldn’t leap at the chance to celebrate an unscheduled three-day weekend? Hoppy Leap Day!

Michael Kay

New York Yankees announcer Michael Kay always calls extra innings bonus cantos.

New York Yankees announcer Michael Kay would call it bonus cantos, his homage to Latin players’ phrase for the extra innings tacked on when a beisbol game is tied after the regulation nueve innings.

To make the most of bonus cantos, we all should take a quantum leap and use the day to do something we might not otherwise think, or have time, to do.

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Immortal emperor and general Julius Caesar is the (Ro)man who gave us Leap Day.

Don’t like Caesar salad? Order one anyhow, in tribute to the historical figure who bequeathed us the day.

Tell someone you secretly loathe to take a leap, and then add that you’re only kidding. Oops! That’s what we do on a different quasi-holiday that kicks off the month of April.

Lover's Leap

Here’s one of the exotic pursuits that it’s advisable not to do on the extra day of the year that arrives Feb. 29.

Those on a romantic rebound shouldn’t get too close to Lover’s Leap. For those deep in a relationship, why not take a leap of faith and propose.

According to Irish legend, Leap Day is when women propose to men.

Balancing gender roles is in harmony with the day’s purpose of balancing the year. (If we didn’t have a leap day quadrennially, the world’s atomic timekeepers assure us, we would lose six hours every 12 months.)

Antique crochet gloves

An olden European social custom dictated that a suitor who did not accept a marriage proposal from his lady on Leap Day was expected to buy her a dozen pair of gloves to hide the shame of naked fingers sans engagement ring.

In the old country, European aristocrats were unflinchingly serious about a young man’s obligation to accept a young lady’s marriage proposal on Leap Day. At one point, it was legislated that spurning the conjugal overture required the lout to buy a dozen pair of gloves for the lovely-lass-turned-lonely-lass, thus enabling her to mask the absence of an engagement ring.

The Greeks were suspicious of this extra day, with an attitude that said, “What? You come around once every four years and expect us to fall all over ourselves in giddy rapture?”

The Greeks actually preached “look before you leap,” and deemed it unlucky to be married anytime in a Leap Year, let alone on Leap Day.

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(from left) Pope Paul III, motivational maven Tony Robbins and William Tell Overture composer Giaocchino Rossini all are Leap Day babies.

If our friends Rossini, Robbins or Pope Paul III were Scottish, the day they were born would have sent shivers into their parents.

The Scots believed it was bad news to enter the world on Feb. 29, so they presumably would just as soon have scotched the extra day.

By the way, if you’ve ever wondered how Tony Robbins, born in 1960, is able to retain his boyish good looks, now you know: In leap years, he’s only a precocious 11-year-old. 

Click here for a fun read of the “20 Craziest Facts about Leap Year,” in U.K. newspaper The Telegraph. 


Media and marketing specialist Bruce Apar, also known as Bruce The Blog, is Chief Content Officer of Pinpoint Marketing & Design, a Google Partner agency. He also is an independent content and media consultant under the banner of APAR All-Media, a Hudson Valley marketing agency. Follow him on Bruce The Blog and Hudson Valley WXYZ on social media. Reach him at bapar@me.com or (914) 275-6887.

Patsy Cline & #1 Fan, Together Again

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Bruce caricatureBruce the Blog Reviews Theater
BY BRUCE APAR
When Bruce The Blog Watches… People Act


Westchester Broadway Theatre
Presents
ALWAYS… PATSY CLINE
Created and Originally Directed by Ted Swindley (
based on a true story)
Directed by Amiee Turner
Musical Direction by Ken Lundie
Through February 28, 2016
Tickets > www.BroadwayTheatre.com


WBT Patsy Cline program

Cover of the program given to each patron at Westchester Broadway Theatre

One of my wife Elyse’s favorite pieces of music is “Crazy” (maybe because in part it reminds her of me). That beautiful song also serves as a timeless reminder of an extraordinary voice that was stilled at the tragically tender age of 30.

Written by country music maker Willie Nelson, “Crazy” is the signature recording of Miss Patsy Cline, owner of a quintessentially clarion country sound that crossed over to the pop charts in the 1960s, and continues to thrill listeners with its heavenly tonality.

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The Bodacious Bobcat Band is part of the cast on stage for the duration of the show as it backs up Erin McCracken as Patsy Cline. Photo by John Vecchiolla

The ardor and admiration that defines Patsy Cline’s legion of fans was on full display at the opening of Westchester Broadway Theater’s current dinner-theater production, “Always… Patsy Cline.” You can see it through Feb. 28 (ticket info: (914)-592-2222; BroadwayTheatre.com).

IMPROBABLE FRIENDSHIP

The jukebox musical is built around more than 25 of her trademark tunes, including “Walkin’ after Midnight,” “Sweet Dreams,” and “I Fall to Pieces.” Helping to propel the hit parade — which also includes standards like “Stupid Cupid,” “You Belong to Me,” “True Love,” and “Shake, Rattle & Roll” — is a lightly-played storyline about the singer’s improbable friendship with a Houston fan, Louise Seger.

The two crossed paths in a honky-tonk one night when Ms. Seger came to see her idol perform. Their warm friendship extended to chatting over coffee in the fan’s home. They remained avid pen pals from 1961 until Patsy perished in an airplane accident in March 1963.

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When Louise Seger first heard Patsy Cline on the radio, she was star-struck by the singer’s incomparable voice. Photo by John Vecchiolla

As familiar as the Cline catalog is to her erstwhile admirers, it’s a revelation to hear it recreated by the larger-than-life talent of Erin McCracken, who comes crazy close to sounding like the one-and-only original. 

CLASSIC TROUPERS

Close by her side throughout is the thoroughly engaging comic relief and storytelling antics of Susann Fletcher as Louise Seger. These ladies are classic show biz troupers, backed on stage by the high-energy Bodacious Bobcat Band, comprised of piano (Ken Lundie), steel guitar and fiddle (Guy Fischetti), bass (Geoff Marrow), and drums (Ken Ross).

The three-sided dinner-theater stage nicely conveys the down-home ambience and period feel of a Texas bar, with a jukebox and the band upstage, while downstage is a dinette set for the homey kaffee klatsches between the women. One of my favorite set design choices is a sign that reads “Houston Colt .45s,” the city’s national league baseball club that started in 1962, which three years later was renamed Houston Astros. 

This joyful and touching show starts, Grand Ole Opry-style, with a rollicking rockabilly number, “Honky Tonk Merry Go Round,” and rises to a rousing finish with the traditional barn-burner, “Bill Bailey.” Along the way, along with the tasty meals served at WBT, we’re treated to a feast of song and patter that’s free-wheeling and fast-moving.

POST SCRIPT

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Singing star Patsy Cline and Number 1 fan Louise Seger maintained an avid pen pal relationship until Miss Cline’s tragic death in an airplane crash in 1963. Photo by John Vecchiolla

Louise Seger and yours truly are kinda kindred spirits, if several times removed.

More than 35 years ago, rock star Peter Gabriel — he of British group Genesis before setting out on a hugely successful solo career — somehow ended up sitting in my Manhattan living room. He had called me at my office, out of the blue, to ask if he could pick my brain about the new thing called “Video” because he saw me listed as editor of a magazine of the same name.

Alas, unlike the Cline-Seger relationship, I never heard from my pal Pete again. I guess you could say this Gabriel, even though he’s not a trumpet player, blew me off.

Given the estimable success that has resulted from immortalizing the Patsy-Louise connection, it’s astonishing that nobody has been inspired to cash in on the momentous coming together of Peter and Bruce. That’s somebody’s loss (just don’t ask me whose), for I have to believe that buried somewhere in our historic meeting — a dozen stories above the big-city din of Second Avenue and 23rd Street — is the genesis of one sledgehammer of a Broadway blockbuster.

 


Erin McCracken, Bruce Apar, Susann Fletcher

Bruce “The Blog” Apar congratulates stars Erin McCracken (right, Patsy Cline) and Susann Fletcher (Louise Seger) after the press night performance. Photo by Chris Jamison

Media and marketing specialist Bruce Apar, also known as Bruce The Blog, is Chief Content Officer of Pinpoint Marketing & Design, a Google Partner agency.  He also owns APAR All-Media, a Hudson Valley marketing agency. Follow him on Hudson Valley WXYZ on Facebook, Twitter & YouTube. Reach him at bapar@me.com or (914) 275-6887.


 

 

 


PRODUCTION CREDITS
Set Design, Steve Loftus
Lighting Design, Andrew Gmoser
Sound Design, Jonathan Hatton and Mark Zuckerman
Costume Coordination, Heidi Giarlo
Hair/wig design, Gerard Kelly
Technical Director, Steve Loftus
Production Stage Manager,Victor Lukas
Properties by Grumpy Props
Lisa Tiso, Associate Producer
HELPFUL INFO ABOUT WBT

Westchester Broadway Theatre
1 Broadway Plaza
Elmsford, NY 10526

Reservations  Call (914)-592-2222 -or- BroadwayTheatre.com
Group Reservations  Discounts for groups of 20 or more: call 592-2225.
Luxury Boxes  Call 592-8730 for private parties of 6 to 22. Enjoy dining and theatre in an elegant private box. Additional features include an expanded dinner menu, hot and cold hors d’oeuvres, private powder room, and Luxury Box reserved parking. Call for pricing details.
Ticket Prices Dinner & Show range between $56-$84 plus tax, depending on performances chosen. Beverage service & gratuities not included in ticket price. Discounts are available for children, students, and senior citizens at selected performances. Also check our website for on-going special offers: BroadwayTheatre.com

Coming to WBT Mainstage
Man Of La Mancha– March 3
May 1
Happy Days – May 5
July 17
Million Dollar Quartet –July 21
Sept 11
Saturday Night Fever – Sept 15
Nov 27